Rather than photographing the stage, she pointed her camera toward the unusual, idiosyncratic, bold and expressive attendees, capturing moments of unrestrained joy or intimate embraces between couples and friends who were oblivious to the camera. Those early images, including her collection The Wild Ones, illustrated Bahbah’s burgeoning desire to capture the exceptional in the ordinariness of festivals.
Her original experimentations with manual techniques, including cellophane and burning the edges of photos, led her to develop Photoshop filters for entire photo albums. While still studying, she began photographing music festivals, falling in love with the transient nature of live performances and the immense power of capturing an irreproducible moment. Her interest in multimedia and the combination of commerce and art led her to study creative advertising while in university, but her passions tended toward music and photography. Boldly hued, glossy and utterly gorgeous, they are the intense and professional-grade selfies we only wish we were taking. Dear Love is first and foremost a collection of beautifully composed, distinctively lit images that speak the language of fashion campaigns and advertising.
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